100 Years of Italian Opera 1820-1830

A Hundred Years of Italian Opera 1820-1830

£16.99 – £37.50
£16.99 – £18.75

3 disc set
Single Track Download

*** The downloads of this recording do not include the digital booklet ***

Opera Rara’s fascinating journey into the forgotten treasures of the 19th century operatic repertorie.

Catalogue Number: ORCH104 Category: Tags: , ,
  1. MEYERBEER: Margherita d'Anjou, Act II: Trio: Quel parlar! Quell'aria incerta Various Buy Track 0:34
  2. MAYR: Fedra, Act II: Aria: Se fiero, Ippolito Various Buy Track 0:34
  3. DONIZETTI: Le nozze in villa, Act II: Trio: In lei vegg'io l'oggetto Various Buy Track 0:34
  4. CORDELLA: Lo sposo di provincia, Act I: Trio: Oh soave mia speranza Various Buy Track 0:34
  5. ROSSINI: Zelmira, Act I: Duet: Perche mi guardi, e piangi? Various Buy Track 0:34
  6. MEYERBEER: L'esule di Granata, Act II: Duetto: Si, mel credi Various Buy Track 0:34
  7. DONIZETTI: La zingara, Act II: Cavatina: A te nell'appressarmi Various Buy Track 0:34
  8. DONIZETTI: Chiara e Serafina, o Il pirata, Act I: Trio: Tremante, smarrito Various Buy Track 0:34
  9. MERCADANTE: Amleto, Act I: Finale: Qui fu commesso, o popoli Various Buy Track 0:34
  10. DONIZETTI: Alfredo il grande, Act II: Aria finale: Che potrei dirti, o caro? Various Buy Track 0:34
  11. ROSSINI: Ugo re d'Italia: Aria: Vieni, o cara Various Buy Track 0:34
  12. MERCADANTE: Nitocri, Act I: Cavatina: Se m'abbandoni Various Buy Track 0:34
  13. BELLINI: Adelson e Salvini, Act II: Romanza: Dopo l'oscuro nembo Various Buy Track 0:34
  14. BALDUCCI: Tazia, Act I: Duet: non piu veggo in quel tristo sembiante Various Buy Track 0:34
  15. MERCADANTE: La testa di bronzo: Overture Various Buy Track 0:34
  16. LUIGI RICCI: Il diavolo condannato a prender moglie, Act I: Quartet: Io ti ho dato il sangue mio Various Buy Track 0:34
  17. MERCADANTE: Gabriella di Vergy, Act I: Sestetto: Ah che dici! ? Quant'immagini crudeli Various Buy Track 0:34
  18. DONIZETTI: Il paria, Act III: Aria: Qui pel figlio una madre gridava Various Buy Track 0:34
  19. COCCIA: Rosmonda, Act I: Romanza: Perche non ho del vento? Various Buy Track 0:34
  20. BELLINI: Zaira, Act I: Cavatina: Amo ed amata io sono Various Buy Track 0:34
  21. CONTI: Giovanna Shore, Act I: Romanza: A che di fiori e lagrime Various Buy Track 0:34
  22. PACINI: I fidanzati, ossia Il contestabile di Chester: Part III: Duettino: Ah si ch'io t'amo ? La sotto il salice Various Buy Track 0:34
  23. CARAFA: Le nozze di Lammermoor, Act I: Quintetto: D'un orribile tempesta Various Buy Track 0:34
  24. COCCIA: Maria Stuart, regina di Scozia, Act I: Finale: Vieni, o Grande! ? Ecco l'indegna Various Buy Track 0:34

Description

Opera Rara’s fascinating journey into the forgotten treasures of the 19th-century operatic repertoire. In the third volume of Opera Raras acclaimed anthology, listeners can explore the music of Rossini, Cordella, Bellini, Balducci, Conti, Carafa, Coccia, Donizetti and Meyerbeer.

‘A privileged glimpse into a forgotten world’ – John Freeman, Opera News

The publication today of a critical edition of the works of Offenbach is a delicate task, for various reasons. Through poor management of the Offenbach legacy, the autograph manuscripts have been scattered to the four corners of the earth. As for the archives of the French editors, numerous original orchestral manuscripts have been damaged or lost. It should also be noted, what is more, that in the case of Offenbach, an autograph manuscript can never represent a unique source of reference. The original orchestral parts, the copyist’s scores, as well as all the materials printed in the last century (voice and piano, librettos, individual arias etc.) are indispensable to a coherent edition as much from the point of view of the drama as for the music. To this experienced man of the theatre, a work was a living thing which constantly had to evolve according to the exigencies of its career. Certain works underwent important transformations between their first performance in Paris and their revival in Vienna (re-orchestration for larger forces, various structural modifications). Other works were subject to notable revisions for their various performances in France during the composer’s lifetime. Our policy is to publish all these different versions in their complete form, to give the public the most exhaustive choice. (As part of each subscription volume, numbers composed later and added to the original score will be printed in the supplement, whereas the Viennese versions in their specific instrumentation will be published separately, being available as hire material only.) Each edition will feature a detailed preface explaining the sources used, a brief history of the work and an analytical report on our editorial work, as well as significant illustrations testifying the original intentions of the respective authors. The publication of the great works of the repertoire will alternate with that of the less well known lyric productions and the symphonic music. The chamber music, sacred works, songs etc. will be published in parallel with the present subscription. Up to three volumes a year will be published cloth-bound with dust jacket (310 x 230 mm). The scores will include the original libretto. Commentaries on the work and the edition, an iconography as well as the librettos in French, German and English will be attached to the scores.

Cast

Claire Daniels, Lynne Davies, Nuccia Focile, Eiddwen Harrhy, Marilyn Hill Smith, Yvonne Kenny, Linda Kitchen, Susan McCulloch, Bronwen Mills, Jennifer Rhys-Davies, Theresa Goble, Della Jones, Fiona Kimm, Anne Mason, Diana Montague, Patricia Spence, Penelope Walker, Bruce Ford, Brendan McBridge, Paul Nilon, Ivan Sharpe, Ian Thompson, David Ashman, Karl Morgan Daymond, Geoffrey Dolton, Ian Platt, John Rawnsley, Russell Smythem Jonathan Viera, Clive Bayley, Mark Glanville, Alastair Miles, Ashley Thorburn, Geoffrey Mitchell Choir, Philharmonia Orchestra, David Parry, conductor.

Tracklist

01 MEYERBEER: Margherita d’Anjou, Act II: Trio: Quel parlar! Quell’aria incerta
02 MAYR: Fedra, Act II: Aria: Se fiero, Ippolito
03 DONIZETTI: Le nozze in villa, Act II: Trio: In lei vegg’io l’oggetto
04 CORDELLA: Lo sposo di provincia, Act I: Trio: Oh soave mia speranza
05 ROSSINI: Zelmira, Act I: Duet: Perche mi guardi, e piangi?
06 MEYERBEER: L’esule di Granata, Act II: Duetto: Si, mel credi
07 DONIZETTI: La zingara, Act II: Cavatina: A te nell’appressarmi
08 DONIZETTI: Chiara e Serafina, o Il pirata, Act I: Trio: Tremante, smarrito
09 MERCADANTE: Amleto, Act I: Finale: Qui fu commesso, o popoli
10 DONIZETTI: Alfredo il grande, Act II: Aria finale: Che potrei dirti, o caro?
11 ROSSINI: Ugo re d’Italia: Aria: Vieni, o cara
12 MERCADANTE: Nitocri, Act I: Cavatina: Se m’abbandoni
13 BELLINI: Adelson e Salvini, Act II: Romanza: Dopo l’oscuro nembo
14 BALDUCCI: Tazia, Act I: Duet: non piu veggo in quel tristo sembiante
15 MERCADANTE: La testa di bronzo: Overture
16 LUIGI RICCI: Il diavolo condannato a prender moglie, Act I: Quartet: Io ti ho dato il sangue mio
17 MERCADANTE: Gabriella di Vergy, Act I: Sestetto: Ah che dici! ? Quant’immagini crudeli
18 DONIZETTI: Il paria, Act III: Aria: Qui pel figlio una madre gridava
19 COCCIA: Rosmonda, Act I: Romanza: Perche non ho del vento?
20 BELLINI: Zaira, Act I: Cavatina: Amo ed amata io sono
21 CONTI: Giovanna Shore, Act I: Romanza: A che di fiori e lagrime
22 PACINI: I fidanzati, ossia Il contestabile di Chester: Part III: Duettino: Ah si ch’io t’amo ? La sotto il salice
23 CARAFA: Le nozze di Lammermoor, Act I: Quintetto: D’un orribile tempesta
24 COCCIA: Maria Stuart, regina di Scozia, Act I: Finale: Vieni, o Grande! ? Ecco l’indegna

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