Description
One of Opera Rara’s most ambitious projects in its fifty-year history is to record the complete solo songs of Gaetano Donizetti.
A handful of these songs has been long known and often heard in recitals; many more are listed in specialist catalogues but very rarely if ever performed; others still have been thought lost or are completely unknown. Recent research connected with this project, undertaken by Roger Parker in collaboration with Ian Schofield, has made clear that, in total, Donizetti wrote some 200 solo songs over the course of his thirty-year career. Making modern editions of this vast corpus has been an arduous task: sources for the songs are dispersed in European libraries and beyond, the composer’s autograph scores often having been casually given away at the time of composition (typically as a present from the composer to the dedicatee). But in their totality these compositions make a powerful case for Donizetti as a key figure in nineteenth-century domestic music-making: someone whose achievements in this area deserve to be better known; a body of work that, single-handedly, makes a powerful argument for the importance of the Italian “school” in a field long dominated by German and French composers.
