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Leoncavallo: ZAZA

Opera Rara and the BBC Symphomy Orchestra present

LEONCAVALLO: ZAZA

This November Opera Rara will record its first Leoncavallo opera, Zazà. Written in 1900 some eight years after I PagliacciZazà was once hugely popular but has now fallen out of the repertoire.

On Friday 27 November, Opera Rara and the BBC Symphony Orchestra present a concert staging of Zazà, marking the company’s first venture into the musical world of Leoncavallo and the operatic tradition of verismo.  Written in 1900 for the Teatro Lirico di Milano and conducted at its première by Toscanini, Zazà was Leoncavallo’s most popular opera after Pagliacci, the only work for which the composer is currently known. In the 20 years following its première, Zazà received over 50 new productions in opera houses around the world and became the chosen showcase for famous sopranos such as Rosina Storchio, who created the role, and Geraldine Farrar.

Based on the smash hit play by Pierre Breton and Charles Simon – which enjoyed three film adaptations including a 1923 version starring Gloria Swanson – the operais set in contemporary Paris and traces the collapse of the music hall singer Zazà’s relationship when she discovers her lover is married. With its infectious dance tunes and colourful orchestration making use of French popular music styles which Leoncavallo would have encountered in the capital, the verismo of Zazà is a far cry from the harsh, low-life realism of Pagliacci.  Yet, where the composer’s first opera remains one of the most performed operatic works today, Zazà has all but fallen out of the repertory.

Opera Rara’s revival of Zazà is based on Leoncavallo’s own 1919 revision of his score which has been carefully researched by their Associate Conductor and Italian opera specialist, Maurizio Benini.  Benini leads the BBC Symphony Orchestra in both the recording and concert staging of the opera, in what will be the Orchestra’s third collaboration with Opera Rara. Taking on the challenging soprano role for the first time is Ermonela Jaho who is joined by Riccardo Massi as her lover Milio; Stephen Gaertner as her onstage partner and former lover Cascart; and Patricia Bardon as her mother Anaide.

Tickets available now online from Barbican or Tel: +44 (0)20 7638 8891.

LEONCAVALLO: ZAZÀ

BBC Symphony Orchestra

Maurizio Benini, conductor

Friday 27 November 2015, 7.00pm

BARBICAN

Ermonela Jaho   Zazà

Riccardo Massi    Milio

Stephen Gaertner   Cascart

Patricia Bardon    Anaide

David Stout      Bussy

Nicky Spence      Courtois

Kathyrn Rudge  Natalia

Simon Thorpe  Duclou

Fflur Wyn        Floriana

Julia Ferri         Totò

BBC Singers

Renato Balsadonna, Chorus Director

Susannah Waters, Director

Tickets:   £40; £34; £26; £18; £12

Box Office:  020 7638 8891

Online:          www.barbican.org.uk

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2014 Talks

Opera Rara – 2014 TALKS

We begin our 2014 programme of talks and recitals by hosting two evenings exploring the background of two very different operas Donizetti wrote during his stay in Paris. The talks will be given by Dr Flora Willson (King’s College, Cambridge) and Professor Roger Parker (King’s College London and Opera Rara’s Repertoire Consultant)

Places, at £15.00 per person (includes a glass of wine or soft drink), can be booked directly with Opera Rara:

134-146 Curtain Road, London, EC2A 3AR

Tel: +44 (0)20 7613 2858

Email: info@opera-rara.com

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Tuesday 11 February, 6.30pm – Opera Rara Music Library

Donizetti’s Rita

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Thurdsay 20 March, 6.30pm – Opera Rara Music Library

Donizetti’s Les Martyrs

Places are limited so book early. 

See PDF for full details

Click here to download File

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Digital Downloads

NEWS RELEASE

DIGITAL DOWNLOADING IS HERE!

Opera Rara, the label which, for over 40 years, has specialised in reviving the neglected vocal and operatic repertoire of the 19th century, is thrilled to announce that all recordings are now available to buy as digital downloads on its own website.

Our most recent recordings are available for the very first time (and exclusively on the Opera Rara website) in high resolution 24 bit master sound quality. The whole catalogue is also available for download in MP3 (Lossy), ALAC (Apple Lossless) and FLAC (Free Lossless) formats. The download catalogue includes recordings currently out of stock on CD.

PDFs of Opera Rara’s highly acclaimed booklets (containing superbly written and informed articles, photographs from rehearsals/recording sessions plus libretti where relevant) can be downloaded free of charge when full albums are purchased.

Says Stephen Revell, Opera Rara’s Managing Director, “we are looking to provide our customers with every possible means of making this specialist repertoire available directly from our own site. From wherever they may be in the world, opera lovers are never more than a few clicks away from accessing our recordings on our own site.”

Opera Rara is a registered charity and all proceeds from album sales are invested straight back into research, recordings and performances. Customers who purchase direct from Opera Rara help ensure that the company is able to continue presenting the very best in undiscovered operatic and vocal works of the 19th century.

For detailed information on how to download recordings, pricing, the range of sound file formats etc visit the Opera Rara website opera-rara.com.

Click here to download File

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Caterina Cornaro Press Release

Donizetti’s CATERINA CORNARO – JUNE 2013 new release

In a bid to encourage consumers to buy direct from Opera Rara, this stunning new recording of Donizetti’s Caterina Cornaro will be made available FOR A LIMITED PERIOD OF THREE MONTHS exclusively through its website, after which the box set will be on general release. The recording will also be available as a digital download direct from Opera Rara’s website as from 3 June 2013.

Caterina Cornaro was written in the extremely productive last period of Donizetti’s life (between Don Pasquale and Linda di Chamounix) and was the last of his operas to be premiered in the composer’s  lifetime. Like every other work of this period, it is intensely original, in this case being unusually dark in both subject matter and general musical tone.

This is the only opera of Donizetti’s later period not to have had a quality modern recording. Conductor David Parry says: “The opera requires a prima donna with a wonderful voice, extraordinary technique and exceptional histrionic ability, which we have in Carmen Giannattasio: the role could actually have been written for her.

“The story is resonant and believable, a woman forced into a political marriage with a king she does not love, but who turns out to be noble and good, so that she feels that she cannot abandon him, and who is assassinated at the instigation of a bitter enemy, leaving her to rule on her own. This calls up from Donizetti one of his most deeply felt, atmospheric and dramatically truthful scores. It is concise and hard-hitting, and I simply cannot understand why the opera is not in the repertoire; it is badly in need of a proper studio-recording.”

The 2CD set is accompanied by a complete libretto with an English translation alongside an article and synopsis by the eminent 19th-century musical scholar, Jeremy Commons.

Buy the recording: Caterina Cornaro

Below: David Parry (conductor), Colin Lee (Gerardo), Colin Lee, Troy Cook (Lusignano) and David Parry, Carmen Giannattasio (Caterina Cornaro) with Troy Cook

Click here to download File