Board of Directors
Opera Rara’s Board is made up of a distinguished group of people with experience across a range of disciplines including the law, business and the arts.
Charles Alexander CBE
Chairman
Philip Eisenbeiss
Adolfo Laurenti
Alison Nicol
Anthony Freud OBE
Bruce Mauleverer KC
Islée Oliva Salinas
Nicholas Thomas
Glenn Hurstfield
Simon Mortimore KC
Terence Sinclair
Development Committee
Dori Dana-Haeri
Terence Sinclair
Glenn Hurstfield
John Tierney
Islée Oliva Salinas
American Friends Committee
Islée Oliva Salinas, Chair
Jennifer Marling
Adolfo Laurenti, Vice-Chair
Allan Heinberg
Artist Ambassadors
Opera Rara’s Artist Ambassadors work to raise the international profile of the charity, assist in the development of new projects and educational activities and feature in our recording and performance projects.
Ermonela Jaho
“I love to work with Opera Rara because they make fabulous operatic discoveries come to life for us all to enjoy. In this noisy world, this beautiful music from the past sings to our inner spirit. I feel that I am a part of a unique family of artists, researchers, and supporters who are passionate about the past made new.“
Michael Spyres
“Opera Rara is an invaluable institution that has broadened the horizons of the opera world, by rediscovering the great lost works of the past. No other institution has done as much for the world of opera in terms of research, recording, and education than Opera Rara, and we all owe them a debt of gratitude. Countless individuals such as myself have made their careers with the help of Opera Rara.“
Honorary Artist Patron
Opera Rara is very proud to have Renée Fleming, one of the world’s most famous singers, supporting our extraordinary work.
Renée Fleming
“Any lover of opera should be grateful for the existence of Opera Rara. I know the value of this work from my own experience recording Donizetti’s Rosmonda d’Inghilterra with them. Without Opera Rara, recordings like that just wouldn’t be made and countless musical treasurers would remain essentially lost, unheard and unappreciated by contemporary and future audiences.”